After drawing the spaces in the previous post (Hall and Staircase) the thing that fascinated me most was how one would perceive such a space, where you are implicated in the nature of that place. How would you construct a spatial consciousness in a space that was constantly adapting to you and others? The drawing above, and below in detail, shows two people walking, as a Marey-like abstraction of the body. Around them are a series of grey pieces that are a mixture of perceptions (with the rounded edges, rather as the resolution of an optical cone, and recollections with the squarer edges (that are behind them). It is an incomplete composite of a duration, where some parts of the space are emerging and others decaying while the sense of the whole is neither what is was, nor what it will be and certainly not what it is. The snotty stuff int he middle is what they imagine to be their personal space while the vertical yellow lines discuss an as yet unresolved sense of context. These are from 1993.
The figures in the blue frame are an elevation of the two people showing them as an imagined presence, trying to imagine how they would imagine their part in the evolving condition. The drawings relate to a couple of studies that I will post some other time, but there is a specific drawing that speculates on this issue relative to the drawing above. It is shown below.
The top drawing is airbrushed ink and paint as well as acrylic painted directly on housepaint. The lower drawing (above) is airbrushed ink and paint over a Polaroid transfer, this time using 669 type film. The chemical marks on the left of the image come from the developing chemicals and film dye being spread out when rolling down the peel-apart negative.