Anatomical Torsos

I have been sharing my attic studio with these characters recently. The house has been on the market  in anticipation of a return to the UK in January and they have been moved to my studio so as not to scare off potential buyers. It seems the people who bought the house liked them anyway. They normally hang out in the living room (with a few others), as seen below (also with the author).

Medical models appear so much more critical than their architectural equivalent. The section lines are content driven and understand the general symmetry of the body, so they tease your imagination to carry what exists at one layer on one side over to that other, where greater depths are then revealed. I purchased my first one (that I keep at work) when I moved to Copenhagen. In London I would borrow one from the anatomical lab at UCH, who were very helpful as I was teaching at the Bartlett, also part of UCL. In Copenhagen the Academy had no affiliations with medical schools, so I would borrow the Academy’s van and drive all my equipment to the alcohol dependency unit of a nearby hospital who were happy for me to work with it there but not to borrow it. As there were so many knowing looks by people seeing the school of architecture van outside the alcohol dependency clinic, and also the inconvenience of having to move all my lights and large format camera, I bought my own figure. I have not done any body drawings for a while, pertly due to the demise of Polaroid film which I used to use to make transfers, but with some distance it would be good to rethink the project some time, with one of the other figures.

Yardsticks

Part of the yardstick collection. It started with a need for one (for a project) and, as these things do, it got a little out of hand. Almost all of them are from Winnipeg, mostly advertising for lumber yards, piston ring suppliers (these normally have numbered holes in them, I believe to put the engine valves in), fabric suppliers and some quite specialised bed spring measures. The oil company ones tend to be square in section.

Corrugations

Corrugations

Corrugations

 

Corrugations

One of the local cladding materials where I have been living is corrugated steel, borrowed from the agricultural industry that uses it for a range of storage buildings. Most of these are circular in plan and so only have one sort of joint and no corner detail. When it is used for rectangular buildings it normally has a folded angle cover strip over the corner junction. I was looking at some German aeroplanes, built during the lead up to the second world war, that have corrugated skins to see how else to treat the detailing of such a material (aluminium in the case of the aeroplanes). The use of corrugated  skins on aeroplanes seems strange, providing little torsional rigidity and a large surface area for drag, but the detailing is very careful. One of the examples is from the Western Canada Aviation Museum in Winnipeg and the other from Duxford near Cambridge in the UK. I have a few more pictures, including some interior shots, so I may post some more another day. The crimped edge seems to provide a much greater range of joint possibilities. I was thinking of using corrugated steel for the cladding of a house I was working on and looked at these ‘planes to help work out a range of scale when detailing the skin.

 

Minneapolis armature

Minneapolis armature

I was in Minneapolis at the weekend and went to the Science Museum (to see the medical quackery exhibit – another story). They had a few dinosaur skeletons on display, all with integral armatures running within the bones. It is quite a common practice but I have rarely seen it done well (one in Vienna comes to mind). The two pictures here – sorry for the poor image quality – show a couple of places where the demands on the steel are greater than the cross sectional depth of the bones, so the steel emerges through the casts of the bones. The confusion between the skeletal and steel structures feels unconvincing to me, but as you know from my posts a few days ago I am prejudiced towards the less bashful armatures.

Staircase

A staircase model from the Musée des Arts et Métiers in Paris in stereo. Usual procedure for these – go cross-eyed so that you get three images. Concentrate on the middle one so that the two images become resolved on top of each other. Try to relax and the image depth will improve.

 

If you are having difficulty resolving the image, make it smaller and try again.

Crouching Venus (Stereoscopic)

A couple of stereoscopic views of Venus from the courtyard at the École des Beaux-Arts, both a little broken. Above is a version of the Crouching Venus (which works well in 3D if you go cross eyed and register one image over the other – make the image smaller if you are having trouble). Below is a version of the Venus de Medici, who I used to draw in sections – the original is only just over four feet high so the scale is ambiguous.

Venus de Medici (Stereoscopic)