Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Sheats Goldstein House

Some views of the underside of the main roof in John Lautner’s Sheats Goldstein House in LA (taken a few years ago), with glass tumblers cast into the concrete. I will be on the road for the next few days so please be patient with me if I am not able to post every day.

Instrument Six (Nat Chard)

Instrument Six (Nat Chard)

Instrument Six (Nat Chard)

Instrument Six (Nat Chard)

Instrument Six (Nat Chard)

Instrument Six (Nat Chard)

Three views of Instrument Six in action, the two top views construct paradoxical shadows that float in the air, adjacent to  the surface you would expect them to land on , in real time. The bottom image  is of the instrument in photographic mode where the relative parallax between shadow projections can be adjusted for pairs of stereoscopic photographs, and it uses a single lightbulb instead of a pair of candles.

Instrument Seven (Nat Chard)

Instrument Seven (Nat Chard)

A picture of Instrument Seven with a drawing, after receiving paint thrown by another instrument. The paper follows the folds of the picture plane support (behind) which has tabs to match those on the paper and they are held together with bulldog clips. You can see how little of the main throw of paint lands on the drawing (unlike Instrument Five)  and instead it catches just the splatter of paint that collides with the drawing pieces.

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

Instrument 6 (Nat Chard)

I have been reshooting Instrument Six – the earlier photographs were too saturated. Here are some tests. The surface on the folding picture plane is a material that retains polarisation, made by Da-Lite Screens. The instrument is seen here in real time mode – to see a shadow floating off the surface on which it should, by rights, land.