LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

LA Roadsters Show 2011

I have long admired the lightweight and inventive sports cars designed by Colin Chapman, especially in the late fifties, but when I was living in Canada I became interested in traditional hot rods, built out of pre-sixties cars but especially the pre ’50s cars where the separate chassis and flat glass makes the cars available for all sorts of home garage improvisation. These images are from the LA Roadsters Show in 2011.

 

Adam and Eve, V and A

Adam and Eve, V and A

A detail from the plaster court at the Victoria and Albert Museum. The stereoscopic depth works very well so it is worth persevering with this one.

 

To view the 3D image go cross-eyed until one image registers exactly over the other. You will see three images, so concentrate on the middle one. When you have this, try to relax and the depth will improve.

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

Plaster cast of Schleswig Alter piece

These are fragments of a plaster cast of an Oak alter piece, now in Schleswig Cathedral, by Hans Brüggermann, c 1514-1521, also in the plaster court at the Victoria and Albert Museum. While the oak carving is clearly very accomplished, the reason for posting these pictures is the attention to detail in setting the casting lines, where the various parts of the moulds meet. The lines mark out a topology of separation to avoid undercut and cast strange contours on the figures.