Some more of the lesser throws of paint form the Instrument Five drawings and another image of the instrument as a reminder
I don’t think I have posted this photograph before (either). It is of Instrument Five in one of the last drawing sessions. The paint catapults are quite accurate (more so than anticipated when designing and making them) but in this case the paint mostly falls short of the drawing pieces it is aimed at. The figure fo the flying paint is still quite intriguing, and a reminder of the uncertainty inherent in the process. The colour of the flying paint is simply due to including (unmixed) portions of white and orange latex paint in the catapult cup. Although I fabricated almost every part of the instruments, I used kitchen measuring spoons for the catapult with a hemispherical cups. The catapults were designed for disposable plastic spoons so that I could change them quickly between throws for colour changes, but their cup shape did not produce very concentrated throws.
I don’t think I have posted this photograph before – it is the final high speed flash photograph from Instrument Five, a wider view than most of the flying paint pictures. The instrument with the paint catapult that makes the throw is off to the left. The flying paint in this image is quite feint, but can be seen as a diagonal line entering the drawing pieces from the top left.
The stereoscopic view of the submarine interior above is very similar to the one that revealed the possibility of making paradoxical shadows that float in mid air – the earlier version was a portrait frame but these are landscape and have a sharper floating shadow. Go cross-eyed so that similar elements int he photographs register with each other and then relax until the full three dimensional image resolves itself. Then look just below the periscope handle for the floating shadow.
The top image is of Instrument Six that makes such floating shadows, both photographically and in real time (as shown here, working with candles for a light source).
A first test shot (working with flash) to check the exposure when photographing Instrument Six. An accidental image.
Some progress shots of Instrument Eight
Some early shots of the Institute for Paradoxical Shadows, before the ground was given a variety of textures.