A few more examples from Instrument Five where the throw of paint is almost over, or not as articulate as some, but where the splatter coming off the drawing pieces tells different stories.
I don’t think I have posted this view of Instrument Five in action before. The throw of paint is almost spent, but the splatter on the backside of the drawing pieces is one of the clearest examples of this series, giving away the range of stories that emerge from the collision between the paint and the drawing pieces. The Paint discusses a certain occupation of the architecture that is modelled int he drawing pieces.
Another of the latest instruments, with my drawing in the foreground and Perry Kulper’s behind.
If you want to find out more about this work Pamphlet Architecture No.34 will be released on the 10th of December.
You can get copies from here:
In the UK
Perry Kulper’s drawing and drawing piece is on the right foreground, with his paint catapult in the centre and my drawing behind.
But with greater depth…